- Публикувана: 23 март 2016, 15:54 ч.
- Последно мнение: 30 ноем. 2023, 15:24 ч.
Taylor Alison Swift
Виа па щото нали следите другите й приятелки как се обличат,та много знаете дали тя не се облича и като тях. 
Да кажем хипотетично,че имаше дори най-малка вероятност Тайлър да е лесбо, тогава пак не я виждам от толко приятелки да си падне точно по тая Карли дето е толко грозна
па и плоска като дъска.
А па оная Диана и тя на нищо не мяза,вие изкарахте,че Тайлър изобщо няма никакъв вкус.
Добре,че вкусът и към мъжете е хубав и още не е прибягнала да ходи на другия бряг,щото ако харесваше такива скрокозъбели
жална и майка.
Ето,сама призна,че песента е за Хари,а до оня ден викаше,че връзката им била фалшива
Ако Тайлър харесва жени,тогава къде остават всички песни за мъже,които е писала през годините?
Всичко това се обезсмисля?
Да кажем хипотетично,че имаше дори най-малка вероятност Тайлър да е лесбо, тогава пак не я виждам от толко приятелки да си падне точно по тая Карли дето е толко грозна
па и плоска като дъска.А па оная Диана и тя на нищо не мяза,вие изкарахте,че Тайлър изобщо няма никакъв вкус.
Добре,че вкусът и към мъжете е хубав и още не е прибягнала да ходи на другия бряг,щото ако харесваше такива скрокозъбели
жална и майка.Ето,сама призна,че песента е за Хари,а до оня ден викаше,че връзката им била фалшива
Ако Тайлър харесва жени,тогава къде остават всички песни за мъже,които е писала през годините?
Всичко това се обезсмисля?
OUT OF THE WOODS: A PR/MUTUAL BEARDING ANALYSIS
I’m going to join the unpopular opinion side of the fandom and admit that I really like “Out of the Woods.” It has a haunting passion to it, though not a romantic passion, I think. I also like the 80s synth-rock riffing, a bit reminiscent of some other music I’ve been listening to lately. And out of all the songs she’s supposedly written about Harry, this is the only one that actually feels genuine.
I admit I don’t follow her personal life that closely (other than its brief intersection with Harry), but I think there’s certainly plenty of cause to suspect that she might also be trapped in a similar closet. I’m ill and bored, so I decided to put on my “I was an English major before I decided I enjoyed buying groceries” hat and do my own line-by-line interpretation of Ms. Swift’s new song with a mutual bearding lens.
Looking at it now
It all seems so simple
These first two lines introduce the perspective of the song – she’s thinking about this experience from a distance, with new clarity. It answers the question everyone’s been asking: why are you still talking about this incredibly awkward relationship two years later, Taylor? It’s because she’s sharing a newer (possibly truer) perspective on it. This is something that should have been simple: a straightforward contract, a bit of playacting, nothing either of them hadn’t done before. Right?
We were lying on your couch
This may be a literal memory, a friendly hang-out to get to know each other before the contracts were signed. But it also pings a little bit of a casting couch, an audition of sorts.
I remember
You took a Polaroid of us
Also could be literal – Harry had his Polaroid camera then, if I’m recalling correctly, and that could have been a playful icebreaker. It also could be continuing the audition theme, taking a metaphorical snapshot of them, test film to see if they would look good together, if they would capture the public attention the way they needed to.
Then discovered
The rest of the world was black and white
But we were in screaming color
These lines set them apart from the rest of the world, which is rigid, conservative, BINARY, all the same. Screaming color… like a rainbow, perhaps?
The implied discovery makes me think maybe Taylor and Harry themselves didn’t know at first that they were both in the same closet. Maybe at first it was just a PR date, but then they realized they had a common motivation. Pure speculation, but I wonder if that might be what made Harry agree to it, in the end?
And I remember thinking…
Are we out of the woods yet?
Are we in the clear yet?
In the clear yet, good.
So as earlybirdlouis pointed out, this is a pretty obvious closet metaphor. Are we in the clear? Are we safe? Did it work? Did we fool the world again? Is our mutual secret still hidden?
Looking at it now
Last December,
The first really obvious reference to Harry, since their relationship was at its peak publicity in December 2012, and an interesting one to choose, given how much attention and derision his “December girlfriend” habit started getting this past year. It’s like she’s giving us a little poke to remind us about that shadiness (and her own December boyfriends).
we were built to fall apart
Then fall back together
They “were built,” implying the relationship was an artificial construct. They didn’t build the relationship; someone else did. And they built it solely with the purpose of ending it—and thus perpetuating it. After all, we’ve seen Harry and Taylor “fall back together” in little waves of publicity over and over and over throughout the last two years. Their teams have certainly gotten their money’s worth out of it, from the awards shows, the cheeky articles, the album publicity, all the speculation and even the jokes. That longevity may have been planned (and contracted) from the beginning.
Your necklace hanging from my neck
Just in case you didn’t get that it was about Harry: this song is about Harry. Harry Styles. You remember him, right?
The night we couldn’t quite forget
When we decided
To move the furniture so we could dance
Baby, like we stood a chance
Again, could be a literal memory, but could also be symbolic of them making the choice to enter into this arrangement. Dance = performance. Like we stood a chance = like this could possibly be a real long-term relationship. It’s also just a really pretty lyric.
Two paper airplanes flying, flying…
Hey, remember that necklace again? Did we mention this song was about Harry Styles? We might not have been clear.
But this is also a really cool metaphor. She’s drawing another parallel between them. They are made the same. A paper airplane is a lovely, scary metaphor for a young person in the entertainment industry—you can soar so high, but one errant gust of wind can bring you down and crumple you up. When you think of a young queer person in the entertainment industry, that symbolic fragility becomes even more poignant. They’re both flying high, just trying to stay on course in the face of all that could bring them down.
Remember when you hit the brakes too soon
Twenty stitches in a hospital room
So again we have what could be (and is the most likely to be) a literal memory, and another whack upside the head to make sure there is absolutely no mistake that THIS SONG IS ABOUT HARRY STYLES because she’s made sure to remind the media about their snowmobiling accident and Harry’s injury.
This can also represent Harry hitting the brakes on their relationship, wanting to cut it short because it was hurting him.
When you started crying
Baby, I did too
This just breaks my heart, because it doesn’t even matter whether Harry was crying because of the accident or because he just didn’t want to be doing this. It’s just awful to think of him far away from the ones he loves, trapped and hurting with strangers. And she’s not tearing him down for this—she’s empathizing. Maybe she shares his feelings or maybe she just feels bad for him.
But when the sun came up
I was looking at you
To me, this line feels like she’s seeing him for the first time, or maybe recognizing the truth of the situation and how it’s hurting him. How it’s not as simple as it was supposed to be, and she has to see him as a person, not just a business partner or tool.
Remember when we couldn’t take the heat
I walked out, I said “I’m setting you free”
The culmination of the story—the early end of the contract (which according to the gossip mill was originally supposed to go through February) because neither of them can go on with it any longer. Harry can’t go on hurting his actual partner, and Taylor can’t deal with his misery. So she “sets him free.” That’s not the language of a tumultuous romance. That’s the language of someone bound to an agreement they’re desperate to get out of.
But the monsters turned out to be just trees
When the sun came up
You were looking at me.
These last few lines are a really interesting way to end the story. The implication is that the things they (or at least he) were scared of didn’t really have any power in the light of day. The monsters here could be the fears of the closet, the nightmares of being exposed, and realizing that in truth, they shouldn’t be so afraid of that after all.
Or it might be about the end of the relationship itself and any hostility there might have been between them. Perhaps she’s saying that she wasn’t the monster in this story, and Harry eventually realized that when he woke up from the nightmare and saw things more clearly.
So while the marketing is exploitative and icky as usual, the song itself could possibly be the one honest introspective statement we’ve ever gotten on the Haylor debacle.
I’m going to join the unpopular opinion side of the fandom and admit that I really like “Out of the Woods.” It has a haunting passion to it, though not a romantic passion, I think. I also like the 80s synth-rock riffing, a bit reminiscent of some other music I’ve been listening to lately. And out of all the songs she’s supposedly written about Harry, this is the only one that actually feels genuine.
I admit I don’t follow her personal life that closely (other than its brief intersection with Harry), but I think there’s certainly plenty of cause to suspect that she might also be trapped in a similar closet. I’m ill and bored, so I decided to put on my “I was an English major before I decided I enjoyed buying groceries” hat and do my own line-by-line interpretation of Ms. Swift’s new song with a mutual bearding lens.
Looking at it now
It all seems so simple
These first two lines introduce the perspective of the song – she’s thinking about this experience from a distance, with new clarity. It answers the question everyone’s been asking: why are you still talking about this incredibly awkward relationship two years later, Taylor? It’s because she’s sharing a newer (possibly truer) perspective on it. This is something that should have been simple: a straightforward contract, a bit of playacting, nothing either of them hadn’t done before. Right?
We were lying on your couch
This may be a literal memory, a friendly hang-out to get to know each other before the contracts were signed. But it also pings a little bit of a casting couch, an audition of sorts.
I remember
You took a Polaroid of us
Also could be literal – Harry had his Polaroid camera then, if I’m recalling correctly, and that could have been a playful icebreaker. It also could be continuing the audition theme, taking a metaphorical snapshot of them, test film to see if they would look good together, if they would capture the public attention the way they needed to.
Then discovered
The rest of the world was black and white
But we were in screaming color
These lines set them apart from the rest of the world, which is rigid, conservative, BINARY, all the same. Screaming color… like a rainbow, perhaps?
The implied discovery makes me think maybe Taylor and Harry themselves didn’t know at first that they were both in the same closet. Maybe at first it was just a PR date, but then they realized they had a common motivation. Pure speculation, but I wonder if that might be what made Harry agree to it, in the end?
And I remember thinking…
Are we out of the woods yet?
Are we in the clear yet?
In the clear yet, good.
So as earlybirdlouis pointed out, this is a pretty obvious closet metaphor. Are we in the clear? Are we safe? Did it work? Did we fool the world again? Is our mutual secret still hidden?
Looking at it now
Last December,
The first really obvious reference to Harry, since their relationship was at its peak publicity in December 2012, and an interesting one to choose, given how much attention and derision his “December girlfriend” habit started getting this past year. It’s like she’s giving us a little poke to remind us about that shadiness (and her own December boyfriends).
we were built to fall apart
Then fall back together
They “were built,” implying the relationship was an artificial construct. They didn’t build the relationship; someone else did. And they built it solely with the purpose of ending it—and thus perpetuating it. After all, we’ve seen Harry and Taylor “fall back together” in little waves of publicity over and over and over throughout the last two years. Their teams have certainly gotten their money’s worth out of it, from the awards shows, the cheeky articles, the album publicity, all the speculation and even the jokes. That longevity may have been planned (and contracted) from the beginning.
Your necklace hanging from my neck
Just in case you didn’t get that it was about Harry: this song is about Harry. Harry Styles. You remember him, right?
The night we couldn’t quite forget
When we decided
To move the furniture so we could dance
Baby, like we stood a chance
Again, could be a literal memory, but could also be symbolic of them making the choice to enter into this arrangement. Dance = performance. Like we stood a chance = like this could possibly be a real long-term relationship. It’s also just a really pretty lyric.
Two paper airplanes flying, flying…
Hey, remember that necklace again? Did we mention this song was about Harry Styles? We might not have been clear.
But this is also a really cool metaphor. She’s drawing another parallel between them. They are made the same. A paper airplane is a lovely, scary metaphor for a young person in the entertainment industry—you can soar so high, but one errant gust of wind can bring you down and crumple you up. When you think of a young queer person in the entertainment industry, that symbolic fragility becomes even more poignant. They’re both flying high, just trying to stay on course in the face of all that could bring them down.
Remember when you hit the brakes too soon
Twenty stitches in a hospital room
So again we have what could be (and is the most likely to be) a literal memory, and another whack upside the head to make sure there is absolutely no mistake that THIS SONG IS ABOUT HARRY STYLES because she’s made sure to remind the media about their snowmobiling accident and Harry’s injury.
This can also represent Harry hitting the brakes on their relationship, wanting to cut it short because it was hurting him.
When you started crying
Baby, I did too
This just breaks my heart, because it doesn’t even matter whether Harry was crying because of the accident or because he just didn’t want to be doing this. It’s just awful to think of him far away from the ones he loves, trapped and hurting with strangers. And she’s not tearing him down for this—she’s empathizing. Maybe she shares his feelings or maybe she just feels bad for him.
But when the sun came up
I was looking at you
To me, this line feels like she’s seeing him for the first time, or maybe recognizing the truth of the situation and how it’s hurting him. How it’s not as simple as it was supposed to be, and she has to see him as a person, not just a business partner or tool.
Remember when we couldn’t take the heat
I walked out, I said “I’m setting you free”
The culmination of the story—the early end of the contract (which according to the gossip mill was originally supposed to go through February) because neither of them can go on with it any longer. Harry can’t go on hurting his actual partner, and Taylor can’t deal with his misery. So she “sets him free.” That’s not the language of a tumultuous romance. That’s the language of someone bound to an agreement they’re desperate to get out of.
But the monsters turned out to be just trees
When the sun came up
You were looking at me.
These last few lines are a really interesting way to end the story. The implication is that the things they (or at least he) were scared of didn’t really have any power in the light of day. The monsters here could be the fears of the closet, the nightmares of being exposed, and realizing that in truth, they shouldn’t be so afraid of that after all.
Or it might be about the end of the relationship itself and any hostility there might have been between them. Perhaps she’s saying that she wasn’t the monster in this story, and Harry eventually realized that when he woke up from the nightmare and saw things more clearly.
So while the marketing is exploitative and icky as usual, the song itself could possibly be the one honest introspective statement we’ve ever gotten on the Haylor debacle.
Прочетох анализа,който си пуснала на Out of the woods.
Добре, да речем,че съм склонна да ти повярвам,че Хари наистина е гей и Тайлър го е прикривала,ще ми кажеш ли тогава защо след като се разделиха вече Уан Дайрекшън той не си признава публично?
Вече няма какво да го спре да бъде самия себе си?
Аз съм истинска суифти и ще я приема дори да е обратна,но факта,че може да е лъгала всичките си фенове няма да е в нейна полза.
Ами Калвин може да е влюбен в нея?
Добре, да речем,че съм склонна да ти повярвам,че Хари наистина е гей и Тайлър го е прикривала,ще ми кажеш ли тогава защо след като се разделиха вече Уан Дайрекшън той не си признава публично?
Вече няма какво да го спре да бъде самия себе си?
Аз съм истинска суифти и ще я приема дори да е обратна,но факта,че може да е лъгала всичките си фенове няма да е в нейна полза.
Ами Калвин може да е влюбен в нея?
И за да спрете да ме изкарвате по черна от дявола,че съм хомофобка и мразя гейовете ви пращам тази песен. И да ви кажа,че не мразя Тайлър,когато пее песни за жени,това даже ми е едно от любимите нейни изпълнения. 
Извинявам се и за по горния ми пост в който обидих Карли и Диана,не го мислех наистина,когато го написах. Просто адски много харесвам Калвин и Тайлър като двойка и се страхувам,че може да се окаже вярно всичко това,което казвате.
Извинявам се и за по горния ми пост в който обидих Карли и Диана,не го мислех наистина,когато го написах. Просто адски много харесвам Калвин и Тайлър като двойка и се страхувам,че може да се окаже вярно всичко това,което казвате.
Стана ясно защо последната седмица имаше последователно рекламата на Епъл Мюзик и iHeart награди с Лимона. С бонус GLAAD.
Преди по-малко от час видеоклипа на New Romantics е пуснат само за потребителите на Епъл Мюзик.
Напомням, че видеото от Тура беше пуснато за РДто ни на 13 декември, а free trial-а на Епъл Мюзик е 3 месеца.
Т.е. всяко Суифти, което иска да гледа новият видеоклип трябва да се бръкне за абонамент.
Вече може да къса с Лимона, това със сигурност ще и осигури необходимата реклама
Бизнес-мозък на стойност стотици милиони
Преди по-малко от час видеоклипа на New Romantics е пуснат само за потребителите на Епъл Мюзик.
Напомням, че видеото от Тура беше пуснато за РДто ни на 13 декември, а free trial-а на Епъл Мюзик е 3 месеца.
Т.е. всяко Суифти, което иска да гледа новият видеоклип трябва да се бръкне за абонамент.
Вече може да къса с Лимона, това със сигурност ще и осигури необходимата реклама
Бизнес-мозък на стойност стотици милиони
Силата на милионите суифтита накара Епъл Мюзик от това
Да стане това
Специално за истинските фенове на Тайчето в тази тема, клипа още сега
The rumours, are terrible and cruel
Buy honey most of them are true
http://vk.com/taylorswift?z=video-7722420_456239058%2Fc88ed57743 … Fpl_wall_-7722420
Да стане това
Специално за истинските фенове на Тайчето в тази тема, клипа още сега
The rumours, are terrible and cruel
Buy honey most of them are true
http://vk.com/taylorswift?z=video-7722420_456239058%2Fc88ed57743 … Fpl_wall_-7722420
Didn't you flash your green eyes at me?
Didn't you calm my fears with a Cheshire cat smile?
Didn't you calm my fears with a Cheshire cat smile?
Скрит текст:
"Wonderland"
Flashing lights and we
Took a wrong turn and we
Fell down a rabbit hole.
You held on tight to me
'Cause nothing's as it seems
I'm spinning out of control.
Didn't they tell us don't rush into things?
Didn't you flash your green eyes at me?
Haven't you heard what becomes of curious minds?
Oh
Didn't it all seem new and exciting?
I felt your arms twisting around me
I should have slept with one eye open at night.
We found wonderland
You and I got lost in it
And we pretended it could last forever
Eh
We found wonderland
You and I got lost in it
And life was never worse but never better
Eh eh
Eh [5x]
In wonderland
Eh [5x]
In wonderland
Eh [5x]
In wonderland
Eh [5x]
In wonderland
So we went on our way
Too in love to think straight
All alone or so it seemed.
But there were strangers watching
And whispers turned to talking
And talking turned to screams.
Oh
Didn't they tell us don't rush into things?
Didn't you flash your green eyes at me?
Didn't you calm my fears with a Cheshire cat smile?
Oh
Didn't it all seem new and exciting?
I felt your arms twisting around me
It's all fun and games 'til somebody loses their mind.
But darling, we found wonderland
You and I got lost in it
And we pretended it could last forever
Eh
We found wonderland
You and I got lost in it
And life was never worse but never better
Eh eh
Eh [5x]
In wonderland
Eh [5x]
In wonderland
Eh [5x]
In wonderland
Eh [5x]
In wonderland
I reached for you but you were gone
I knew I had to go back home
You search the world for something else to make you feel like what we had
And in the end in wonderland we both went mad.
Oh
We found wonderland
You and I got lost in it
And we pretended it could last forever (last forever)
Eh eh
We found wonderland
You and I got lost in it (got lost in it)
And life was never worse but never better (never better)
Eh eh
We found wonderland
You and I got lost in it (wonderland)
And we pretended it could last forever (in wonderland)
We found wonderland
You and I got lost in it (wonderland)
And life was never worse but never better
In wonderland
Flashing lights and we
Took a wrong turn and we
Fell down a rabbit hole.
You held on tight to me
'Cause nothing's as it seems
I'm spinning out of control.
Didn't they tell us don't rush into things?
Didn't you flash your green eyes at me?
Haven't you heard what becomes of curious minds?
Oh
Didn't it all seem new and exciting?
I felt your arms twisting around me
I should have slept with one eye open at night.
We found wonderland
You and I got lost in it
And we pretended it could last forever
Eh
We found wonderland
You and I got lost in it
And life was never worse but never better
Eh eh
Eh [5x]
In wonderland
Eh [5x]
In wonderland
Eh [5x]
In wonderland
Eh [5x]
In wonderland
So we went on our way
Too in love to think straight
All alone or so it seemed.
But there were strangers watching
And whispers turned to talking
And talking turned to screams.
Oh
Didn't they tell us don't rush into things?
Didn't you flash your green eyes at me?
Didn't you calm my fears with a Cheshire cat smile?
Oh
Didn't it all seem new and exciting?
I felt your arms twisting around me
It's all fun and games 'til somebody loses their mind.
But darling, we found wonderland
You and I got lost in it
And we pretended it could last forever
Eh
We found wonderland
You and I got lost in it
And life was never worse but never better
Eh eh
Eh [5x]
In wonderland
Eh [5x]
In wonderland
Eh [5x]
In wonderland
Eh [5x]
In wonderland
I reached for you but you were gone
I knew I had to go back home
You search the world for something else to make you feel like what we had
And in the end in wonderland we both went mad.
Oh
We found wonderland
You and I got lost in it
And we pretended it could last forever (last forever)
Eh eh
We found wonderland
You and I got lost in it (got lost in it)
And life was never worse but never better (never better)
Eh eh
We found wonderland
You and I got lost in it (wonderland)
And we pretended it could last forever (in wonderland)
We found wonderland
You and I got lost in it (wonderland)
And life was never worse but never better
In wonderland
Хайде да дойде в Софето и да я видим на живо. Като гледам обаче какво пълни, най-големия ни стадион ще й смешка и няма да я накара дори да се замисли с дораловия си мозък. Препоръчани теми